John Smith Movies

On December 1st 1990, watched by the world’s media, construction worker Graham Fagg of Dover climbed through a hole in a chalk wall 40 metres...

THE CAMERA, THE ACTOR was commissioned by musician Charles Hayward to accompany the song of the same name on his album entitled (Begin Anywhere).

At Stamford Road in Dalston Junction of east London, the camera follows pedestrians, cars and birds while a narrator, who appears to be the director...

Many of my films involve humour, but unlike the earlier work Shepherd’s Delight attempts to confront the problem of humour head-on, referring...

On the 23rd of June 2016 Britain voted to leave the European Union. Who Are We? is a re-working of material from a BBC television debate transmitted...

A personal interpretation of the poetry and letters of T S Eliot which explores the ambiguities of language and space in a scenario built around an...

An exploration of the ambiguities of documentary photographs which develops ideas triggered by a German pun. Worst Case Scenario starts out as a...

While the Iraq war continues, a day’s sightseeing and the features of a German hotel provoke a stream of thoughts about events large and small.

A man finds himself haunted by a mysterious black tower in London that appears to follow him wherever he goes.

A biblical interpretation of airline safety instructions.

“If anyone slaps you on the right cheek, turn to them the other cheek also.” Matthew 5:38-40

The filmmaker returns to the city where he made the first video in the series [Frozen War] and looks back at the events of the past six years.

Filmmaker John Smith revisits the original locations of his seminal experimental film The Girl Chewing Gum (1976) after 35 years, using...

Home Suite, Smith’s first video work, is a close-up journey through a domestic landscape and a journey through memory, containing only three...

Celestial Navigation could be seen to work in the tradition of British landscape film in that it incorporates a natural element (the Earths rotation)...

Reflecting on past political problems and the state of the world as it was provides no tools or means for envisioning the future.

As the camera looks out through a barred window and the clock strikes four in a Swiss city, the death of Yasser Arafat provides the starting point...

Artist John Smith tells stories about tower block life, editing in bold, unconventional fashion, cutting into the material and highlighting the...

Abstract animation punctuated by found footage, cut to the song White Light / White Heat by The Velvet Underground.

A reworking of material from the 16mm film ‘Blue Bathroom’, a distillation of ideas concerning the tension between representation and...